what is the best way of resoving feedback problems if the soundguy doesn't rescue you?
I was at a gig last night where there was awful feedback and just wondred how other folks get round it? I offered to go get my condensor mic (I'm a really quiet singer so a nightmare for soundguys) if that would help but the guy didn't want to use it. I wasn't using my trusty Ibanez electro-acoustic on night though so perhaps that didn't help matters.